Sunday 19 October 2014

I like Smaug




I like Smaug 

 

(Picture from new line cinema) 





It’s no secret that I love dragons and all they stand for. I accept their fierce, terrifying nature and their formidable might. Hey, when you love something you should love it unconditionally. 

Smaug, an awesome dragon, is of course a fictional character and the main antagonist of J.R.R. Tolkien’s 1937 novel The Hobbit. Smaug was the last great fire-drake of Middle-earth. 





(Picture from new line cinema) 


This fearsome dragon, according to the story we are told, had once invaded the Dwarf Kingdom of Erebor (the Lonely Mountain) some 150 years prior. Since then this deadly winged fire-breathing dragon, described as red-gold in colour with his underbelly encrusted with many gemstones from the treasure-pile he had slept upon, was totally unaware that the Arkenstone was buried right  under him. 





(Picture from new line cinema) 


In the first film The Hobbit: An Unexpected Journey, we saw only Smaug’s legs and tail, and his eye, which is showcased in the final scene of the film. 



(Picture from new line cinema) 



(Picture from new line cinema) 


In the second part of Peter Jackson’s Triology, The Hobbit: The Desolation of Smaug, we watched a group of 12 Dwarves aided by the wizard Gandalf and the Hobbit Bilbo Baggins mounting a quest for revenge and to take the Dwarf kingdom back. Smaug the formidable enemy was portrayed as even fiercer, more wicked, cunning and greedy.






(Picture from new line cinema) 


We are fortunate that an exceptional actor Benedict Cumberbatch provided us with the voice and motion for Smaug. In the films Smaug is depicted as the typical mythical European Dragon with long head, red-golden scales, the wyvern-like body and piercing red-yellow eyes.

 

(Picture from new line cinema) 


Smaug speaks with an underlying growl, as Cumberbatch, taking his cue from the reptiles, has aimed to achieve a tone that would be “that bridge between animal and human”. He has succeeded with his deep and rasping guttural dryness of the voice. 



(Picture from new line cinema) 

(Picture from new line cinema)





(Picture from new line cinema) 




Additionally, the inspiration for Smaug’s appearance and persona (according to Weta digital Surpervisor Joe Letteri) was derived from the classical European and Asian Dragons. Things have advanced so far in the Motion Picture Industry that we are the fortunate recipients for Smaug’s exceptional design that is created with key frame animation, meaning that it is animated by hand in addition to 
Cumberbatch’s motion capture performance. 




 



This is made possible because Weta Digital has employed its proprietary “Tissue” software (honoured in 2013 with “Scientific and Engineering Award” from the Academy of Motion Picture Arts and Sciences) to make the dragon as realistic as possible. 




(Picture from new line cinema) 


In this second film when Smaug battles Thorin’s small band of dwarves coming to Bilbo’s aid, he survives the bath of molten gold and flies off in magnificent gold form to seek revenge. 



(Picture from new line cinema) 

In the meantime however, we have been told of the single weak spot in Smaug’s armor as the result of one of his scales breaking off during his attack on Dale. 






(Picture from new line cinema) 


This single weakness, a hole in his jewel encrusted underbelly on his left breast area, accidentally discovered by Bilbo Baggins, eventually would lead to Smaug’s death above Esgaroth. There Smaug would be slain by Bard, a descendant of Girion, Lord of Dale. 




(Picture from new line cinema) 


Alas, all good things must come to an end. Meanwhile I look forward to seeing Dragon’s third appearance, as terrifying as that may be, in the upcoming film The Hobbit: The Battle of the five Armies. 







 Stay tuned for the updates.



(Picture from new line cinema) 

Friday 10 October 2014

Happy Thanksgiving


Happy Thanksgiving Everyone




Soon Thanksgiving will be upon us. Thanksgiving Day in Canada has been a holiday on the second Monday of October since 1957. This is a time where families get together, share a good meal and offer thanks for a good harvest and other fortunes. 





Given that Thanksgiving is a statutory holiday and many have a day off work (with all schools, banks, post offices, many stores and other businesses closed) people often use this time to visit family and friends or have a get-together over a special meal. Traditionally, the meal includes roast turkey, garnished rack of lamb or glazed ham and seasonal produce, such as pumpkin, corn ears, and squash and pecan nuts. 




Since Thanksgiving Day in Canada has being linked to the European tradition of harvest festivals, the image that is often seen at this time of year is a cornucopia, or horn, filled with seasonal fruit and vegetables. The cornucopia, which means "Horn of Plenty" in Latin, was a symbol of bounty and plenty in ancient Greece. Turkeys, pumpkins, ears of corn and large displays of food are also used to symbolize Thanksgiving Day. 




It may interest you to know that the North American Indians had held ceremonies and festivals to celebrate the season and the completion and bounty of the harvest long before Europeans set foot on what is now considered Canada. Early European settlers continued the tradition of thanksgiving to offer thanks. The earliest example of this would be the ceremony the explorer Martin Frobisher held in 1578, after his survival of the long perilous journey in his quest to find a northern passage from Europe to Asia.





Refugees fleeing the civil war in the United States brought their brand of celebratory thanksgiving festival and since 1879 Thanksgiving Day has been celebrated, though the date varied and there was differing special theme each year. The “Blessings of the abundant harvest” however stuck for many years till, Queen Victoria's golden and diamond jubilees and King Edward VII's coronation formed the theme in subsequent years.




Wishing you all a Happy Thanksgiving Day




Tuesday 1 July 2014

Naga



Naga 





In the many Buddhist countries of Asia the idea of Naga has merged with local traditions to create a prodigious array of dragons and serpents. In China the Naga was compared to the Chinese Dragon “Long“ and in Tibet the Naga was equated with the Klu serpents that dwelt in lakes or underground streams guarding their treasure. Meanwhile the legend of Naga as a god is widespread and significant in all of Southern Asia. As far away as the Malay Peninsula we find Raja Naga, or King Naga, who is the king of all of the many sea snakes which populate the area.

The god Vaskul is the Naga-god of Mount Kailasha, which is also deemed to be the home of the god Shiva, one-third of the Trinity of Brahma’s aspects. There are pictorial and statuary representations showing snakes around Shiva's neck. These are Naga Bushana and they symbolize death, the power of which Shiva controls. They also represent that energy coiled at the base of the spine which yoga practitioners say is the base for all self-realization.

The Naga represents cosmic power; they are a manifestation of the Vedic god Agni, fire, and as such becomes the 'fierce spirit' who is the guardian. The cobra naga is ridden by Vishnu and represents knowledge, wisdom and eternity. As Vishnu sleeps on the cosmic ocean he sleeps on the coiled serpent on the primordial waters. Two serpents with downward and upward movement represent the divine sleep and divine awakening. These Naga and Nagni are serpent kings and queens which are divine in their own right. They are depicted as either fully human, fully snake, humans with cobra heads and hoods, or as humans from the waist upwards and snake below that.






Two Female Naga

In Malay myths Nagas, are many-headed Dragons of colossal size sometimes having five heads, of mammoth size. In Thailand the Nฤga and Java (where they are called Sesas) are well-respected underworld deities who possesses much wealth. Naga are believed to live in the Laotian stretch of the Mekong River or its estuaries. Even to this date the people of Thailand, especially the Malay sailors, worship the Naga which is considered as a type of Dragon with many heads and a holy creature. Locals are also more likely to make regular sacrifices to the Nฤga before taking a boat trip along the Mekong River, holding onto the belief that the Nฤga can protect them from any probable dangers.

It is interesting to note that in the Malay and Orang Asli traditions Lake Chinni, located in Pahang, is home to a Naga called Sri Gumum. Depending on the version of the legend, her predecessor Sri Pahang or her son left the lake and later fought a Naga called Sri Kemboja. Kemboja is the former name of what is now Cambodia. Typically in Cambodian legend the Nฤga were a reptilian race that possessed a large empire or kingdom in the Pacific Ocean region. The Nฤga King's daughter married an Indian Brahmana named Kaundinya, and from their union sprang the Cambodian people. Therefore to this date many Cambodians claim they are "Born from the Nฤga". The Seven-Headed Nฤga serpents depicted as statues on Cambodian temples, such as Angkor Wat, typically represent the seven races within Nฤga society, which have a mythological, or symbolic, association with "the seven colors of the rainbow". Furthermore, Cambodian Nฤga possesses numerological symbolism in the number of their heads. Odd-headed Nฤga symbolise the male energy, infinity, timelessness, and immortality. This is because all odd numbers comes from one (1). The even-headed Nฤgas are said to be "Female, representing physicality, mortality, temporality, and the Earth."

In Laos Nagas are represented as a beaked water serpents Phaya. Laotian mythology maintains that the Nagas are the protectors of Vientiane and, by extension, the country of Laos. The Naga association was most clearly articulated during and immediately after the reign of Anouvong. An important poem from this period ‘San Lup Bo Sun’ discusses relations between Laos and Siam in a veiled manner using the Naga and the Garuda to represent the two countries respectively.

The legend of the Nฤga is a firm and sacred belief held by Thai and Laotian people living along the Mekong River. To bolster this belief every year at the end of Vassa on the night of 15th day of 11th month in the Lao lunar calendar, an unusual phenomenon occurs in the area of the Mekong River in the area stretching over 20 kilometres between Pak-Ngeum and Phonephisai districts in Nong Khai province, Thailand. Miraculous Fireballs appear to rise from the river into the night-time sky. Local villagers believe that Nฤga under Mekong River shoot the fireballs into the air to celebrate the end of Vassa, because Nฤga meditate during this time.

Naturally locals hold an annual sacrifice for the Nฤga because they maintain the belief that the Nฤga still rule the river. The degree of extravagance of the ceremony depends on how each village has prospered that year in obtaining their livelihood from fishing in or transport on the Mekong River. 




Poision_Naga_by_Jessada_Nuy


In many parts of pre-Hispanic Philippines, the Naga is used as an ornament in the hilt ends of longswords locally known as Kampilans.

In India Nagas (recognized as superior to humans) are the serpent spirits that inhabit the underworld. Nagas can have a beneficial, neutral or hostile influence on human beings. Nagas, like the Chinese counterpart Long, also inhabit sub aquatic paradises and are considered the protectors of springs, wells, rivers, lakes and seas. They bring rain, and thus fertility, but are also thought to bring disasters such as floods and drought.

In their individual iconography the Nagas are usually depicted with a human upper body and a coiling serpentine body below their waists. Nagas are most commonly white in color, with one face and two hands, often with their hands folded in supplication or offering jewels. A hood of one, three, five or seven small serpents arises like a crest above a Naga's head and these serpents are often individually colored to correspond to the five castes of Nagas or to the eight great Naga kings. The motif of a multi-headed serpent crowning the head of an Indian Naga may possibly have originated from the seven or nine estuaries or mouths of the ancient River Indus. Nagas being snakes that may take human form; they naturally tend to be very curious. According to traditions Nฤgas are only malevolent to humans when they have been mistreated. They are susceptible to mankind's disrespectful actions in relation to the environment. The belief is that polluting or disrespectful acts such as urinating or washing soiled clothes in a Naga inhabited stream can result in illnesses or Naga afflictions. Leprosy, cancer, kidney problems and skin ailments are all viewed as possibly being Naga-related diseases.

All the same, Nagas are objects of great reverence in many parts of southern India where it is believed that they bring fertility and prosperity to their venerators. Naturally expensive and grand rituals like Nagamandala are conducted in their honor. In India Naga Panchami is celebrated by feeding milk to snakes…………"

Meanwhile another key function of the Naga is apparent in temple architecture. As guardians of the doors we find them at Hindu and Buddhist shrines alike. In this capacity they can not only frighten ordinary human intruders with their dangerous cobra aspect they can also, as divinities, discern and repel any divine invader.




Chris Strom Naga at Angkor Wat



Straying a little from the image of the Dragon, the Buddhist Nฤga generally appears in the form of a great cobra-like snake, usually with a single head but sometimes with several heads. Some Nagas are believed to possess the ability of to transform into the semblance of a human. That is why in many Buddhist paintings the Nฤga is portrayed as a human being with a snake or Dragon extending over his head.

Legend has it that Nฤgas live on Mount Sumeru among the other minor deities, and in various parts of the human-inhabited earth. Some of them are water-dwellers, living in streams or lakes; others are earth-dwellers, living in underground caverns. The Nฤgas are the servants of Virลซpฤkแนฃa (Pฤli: Virลซpakkha), one of the Four Heavenly Kings who guards the western direction. They act as a guard on the holy Mount Sumeru, protecting the devas of Trayastrimasa from attack by the Asuras. Among the notable Nฤgas of Buddhist tradition is Mucalinda, protector of the Buddha. In the Vajrayana and Mahasiddha traditions many notable fully enlightened Nagas also transmitted or transported the terma wisdom that had been elementally encoded by adepts into and out of the human realm. And according to tradition the Prajnaparamita terma teachings are held to have been conferred upon Nagarjuna by Nagaraja, the King of the Nagas, who had been guarding them at the bottom of a lake.

In the 'Devadatta' chapter of the Lotus Sutra an eight year old female Naga, after listening to Manjushr preach the Lotus Sutra, transforms her body into that of a male human and immediately reaches full enlightenment. This narrative reinforces the ironic viewpoint prevalent in Mahayana scriptures that a male human body is required for Buddhahood, even if a being is so advanced in her realization that she can magically transform her body at will demonstrates the emptiness of the physical form and therefore sexuality itself.




Asaramiz nagas Rafi Adrian Zulkarnain

Both in India and Nepal the Nฤgas are still very much a part of contemporary cultural traditions. They have their origin in the ancient snake cults of India, which probably date back to the early Indus valley civilization (circa 2500 BCE). In the Hindu Puranic legends the Nagas were the offspring of Kadru, the sister of Vinata who gave birth to Garuda. Both the Nagas and Garuda shared a common father, Kashyapa, buts due to an act of treachery by Kadrus they became mortal enemies. Kadru gave birth to a thousand serpents each with many heads which populated Patala, the region below the earth. This subterranean realm is rich in treasures with beautiful palaces ruled over by three great Naga kings named Sesha, Vasuki and Takshaka, who figure prominently in several puranic legends. Historically the Nagas were an ancient Indian race, of whom very little is known other than the serpent cult legacy that they appear to have left within Indian culture.

This legacy was absorbed into Buddhism at an early date, with the Buddhist Nagas inheriting much of their ancient Indian symbolism. They similarly dwell below land and sea, especially in the aquatic realms of rivers, lakes, wells and oceans. In Buddhist cosmology they are assigned to the lowest tier of Mt. Meru, with their Garuda enemies placed on the tier above them. Nagas are the underworld guardians of treasures and concealed teachings and they can manifest in serpent, half-serpent, or human form. The great second century Indian Buddhist master and philosopher, Nagarjuna, was perhaps the first person to receive a 'hidden treasure text' or terma (Tib. gter-ma) from the Nagas, in the form of the Prajna-paramita-sutra.

It is interesting to note that the Great Naga, Ananta (the 'endless', also called Sesha) has 1000 hooded heads which form a canopy for Vishnu. Ananta represents the cosmic ocean.

The symbol for water in Hindu mythology meanwhile, is the serpent (naga). The gigantic anthropomorphic form and the boundless elemental sea are Vishnu, but the Naga is also Vishnu. Vishnu is man, ocean and snake. All are one. Springing forth from the navel of Vishnu is a lotus stem, and on the flower at the end of the stem sits the god Brahma who creates the world. Ananta spits out venomous fire at the end of each Kalpa (age) to assist Shiva in destroying creation. The iconography of Vishnu, sheltered by a Shesha naga or reclining on Shesha, has as well been extended to other deities.

Meanwhile, the Varuna, the Vedic god of storms, is viewed as the King of the nฤgas. Nฤgas live in Pฤtฤla, the seventh of the "nether" dimensions or realms. The Nฤgas also carry the elixir of life and immortality.

In the great epic Mahabharata, Naga’s are frequently depicted as having a mixture of human and serpent-like traits. The epic also calls the snakes “persecutors of all creatures", and tells us "the snakes were of virulent poison, great prowess and excess of strength, and ever bent on biting other creatures". Typically, the general portrayal of Nagas tends toward the negative, and they are represented as the deserving victims of the snake sacrifice and of predation by the eagle-king Garuda. At the same time Nagas are important players in many of the events narrated in the epic, frequently no more evil or deceitful than the other protagonists are and sometimes act on the side of good.



Classic_Treasures_Cover_by_kerembeyit

The great nemesis of the Nagas in the Mahabharata is the gigantic eagle-king Garuda. Garuda and Nagas began life as cousins. The sage Kasyapa had two wives (amongst his 13 wives, all prajapati Daksha's daughters), Kadru and Vinata, the former of whom desired many offspring, and the latter of whom desired few but powerful offspring. Each got her wish. Kadru laid 1000 eggs which hatched into snakes, and Vinata laid two, which hatched into the charioteer of Surya the sun god and Garuda. Through a foolish bet, Vinata became enslaved to her sister, and as a result Vinata's son Garuda was required to do the bidding of the snakes. Though compliant, he chafed and built up a grudge that he would never relinquish. When he asked the snakes what he would have to do in order to be released from his bondage they told him he would have to bring them amrita, the elixir of immortality. Garuda stole the elixir from the gods and brought it to the serpents in fulfillment of their requirement putting the cup with the elixir on the ground before them. But it was taken away by Indra. However a few drops remained on the grass and the Nฤga licked up the drops but in doing so cut their tongues on the grass and since then their tongues has been forked. From that point onward, his debt fulfilled, the Garuda have regarded Naga as enemies and as food.



The End.

Sunday 30 March 2014

Dragon Headed Turtle

Dragon Headed Turtle





The Dragon and the turtle are both considered celestial creatures and are part of the four Feng Shui guardians assigned to each of the four cardinal directions. The green Dragon is in the East, the red Phoenix in the South, the white Tiger is in the West and the North has the black Turtle. So any combination of these celestial animals logically makes for a more powerful force.

The Dragon Tortoise is a hybrid of the celestial dragon that also is blessed with the attributes of a sturdy and steadfast tortoise. With the head of dragon and a body of a turtle the energy of the dragon, comprising courage, determination and success, is perfectly blended with tortoise’s longevity of tenure, to provide one with a protection and lasting and successful career luck. How apropos that the Dragon Headed Turtle is often depicted on a bed of coins and ingots, holding a coin in its mouth- eliciting lasting wealth and occasionally, appears with claws and Ru Yi- bringing forth authority and protection. In these configurations the dragon is said to be blowing good breathe to people and carrying the Ru Yi which signifies power, high rank and doing everything well.







With the Dragon Headed Turtle, the symbolic meanings of the dragon (luck); tortoise (long life), baby tortoise (new beginnings, fertility or excellent descendants luck) and the coins representing the money that can be made, are the reason for its heightened popularity. The various designs on its back meanwhile, such as a whole lo or a shu square symbol or with one or several baby dragon turtles riding it, always represents a good beginning and a new business venture with prospects. For those of you that are in a relationship, or wishing to have one, The Dragon Tortoise also furthers fortunate relationships. It is a fantastic energizer for scholastic finesse and superior knowledge as well as for acquiring many benefactors at school and work.

A word of caution: Do not place this symbol in the kitchen or bath room.






The ideal placement of the Dragon Turtle would be in the North, NW or East sector of the house. Placing this dragon at home is said to bring the occupants of a home good luck, wealth and feeling of security. The Dragon Headed Turtle also protects a home from negative energies.

In 2014 a metal Dragon Turtle is also used as a Feng Shui cure to neutralize the energy of negative annual stars, particularly the #2 (visiting East) and #5 star (visiting NW). In this case it brings strong protective energies as related to the fiery and courageous energy of the dragon and the watchful guardian energy of the turtle.

Do not put the Dragon Headed Turtle in the North or East if it is directly in front of you while putting it at office or business place. Instead it would be best to position the symbol parallel to where you sit; here it can enhance your relationship luck. If you have arguments and troubles you can display it right behind your seat looking sideways which signifies support. Display it in Northeast for scholarship and to further your education.






Indeed, keeping a dragon turtle will attract prosperity to your business and improves your relationships with those around you. To further improve the general relationship luck you may place a piece of red ribbon in his mouth, which works wonders. To improve wealth a piece of golden ribbon can be kept in its mouth. If you are having health problems place a piece of blue ribbon in his mouth.

Apart from all these attributes listed above, Dragon Headed Turtle is a wonderful gift to give to someone who is starting a new business, career or a new job.





Best of Luck

Sunday 9 March 2014

Pixiu or Pi Yao

Pixiu or Pi Yao




Pi Yao (PIxiu) is a Chinese mythical hybrid creature considered to be a very powerful protector by Feng Shui practitioners. It resembles a winged lion. Pixiu is an earth and sea variation, a particularly influential and auspicious creature for wealth. Fierce looking and covered with whitish-grey fur, Pixiu has the head of a Chinese dragon. Ancient Chinese depictions of Pixiu showed two different types of Pixiu. The difference is with their horns; the male has the single antler, and the female two. The the male with one horn is called Tian Lu (Pi Chen) and female with two horns is known as Pi Ya . Tian Lu is in charge of wealth and displaying Tian Lu at home or in the office is said to prevent wealth from flowing away. Another interesting note is the belief that common wingless Pixiu assists in seeking wealth while a winged Pixiu assists students in furthering their studies. 






As with the Chinese Phoenix, the common image of Pi Yao (Pixiu) has undergone change and today it is represented as a single sex. Pixiu has protruding eyes and sharp teeth. Its body resembles a Chinese lion and the legs of Pixiu are those of a Qilin. Looking at the posture of the Pixiu, the creature seems to project a sense of strength, elegance and mobility. Pixiu’s obvious characteristic is its fat body which indicates a full stomach loaded with unlimited amounts of good fortune. It has a single horn on its head and a pair of wings. Likewise it has a big open mouth ready to gobble up fortune. Because of this a Pixiu statue is often employed in the home as a way of receiving and keeping fortune. 




The Pixiu is ranked 5th in the order of mythical beings, behind the dragon, phoenix, winged horse and sea horse. Ancient architecture often displayed Pixiu to ward off Yin Qi (bad fortune). The statues of a Pixiu are typically seen on the four corners of the roofs of houses, particularly those of influential people such as the emperor. In ancient China, statues of Pixiu were also used as tomb guardians. 



Jade Emperor and Heavenly Court

The myth behind the Pi Yao (Pixiu) is that the creature at one time had violated the law of Heaven, and so the Jade Emperor had punished Pixiu by restricting its diet to gold. Thus Pixiu can only absorb gold, but cannot expel it. This is the origin of Pixiu’s status as a symbol of the acquisition and preservation of wealth. It is said to have a voracious appetite for only gold and silver. Therefore traditionally to the Chinese, Pixiu has always been regarded as an auspicious creature that possessed mystical power capable of drawing Cai Qi (good fortune) from all directions.

Displaying a Pi Ya at the affected area of the house or office can avoid misfortune and disasters. The Pi Ya must be placed facing away from the house. For displaying at openings or entrances a pair of Pi Ya is needed.

The Tian Lu is used for attracting wealth. One places it in the designated wealth area to attract wealth or accumulate wealth. Do not place Tian Lu facing any person directly on in a confrontational position. Ideally Tien Lu should not be place on the floor but it definitely should never be place above eye level.

One cannot touch the face and head of the "Pixiu," because the touch from an ordinary person would ruin their wealth. 





Pixiu (Pi Yao), a fierce creature has large fangs, visible in the creature’s mouth, with which it attacks demons and evil spirits, draining their essence and converting it to wealth. Pi Ya is useful therefore in warding off evil. Pixiu is also believed to guard against disease caused by evil spirits. Furthermore, Pi Ya has the ability of assisting anyone who is suffering from bad Feng Shui due to having offended the Grand Duke Jupiter (Tai Sui). 




Tai Sui is very fond of his pet, the Pi Yao. You may appease Tai Sui therefore, by placing a Pi Yao or Dragon-headed Tortoise in the north sector of the home or office facing the 15ยบ south radius where Tai Sui sits. For this cure, the placement of the Pi Yao should be obvious and not hidden from view, and there must be a metal element involved. Metal here refers to real gold and strong metal. The secret behind this cure is that the "Tai Sui mantra" must accompany the Pi Yao for maximum effectiveness. It actually refers to a set of Chinese incantation of the Tai Sui. This mantra had been used for centuries to help one overcome the wrath of Tai Sui.





Tai Sui appeasing mantra




(The "Long Pi" pictured on either side of the Duke is a traditional cure used by old time masters to resolve shar from the Tai Sui. The big wings signify its ability to fly high and reach greater heights/goals. Inviting them to your space will ease your efforts in diminishing obstructions. You will then gain a full grip and better control over your fortune and luck. It has the ability to transform negative chi into positive, overcome obstacles, prevent annual dangers caused to zodiacs, subdue bad luck, combat bodily harm and terminate stress.)



Good Luck.