Saturday, 24 March 2012

Nidhogg and Ratatosk

Nidhogg and Ratatosk



The first world to be created in Norse mythology was Muspelheim, the world of volcanic fire. The next world that came into being was Niflheim, the land of ice and cold and, where it meets the world of fire, a world of mists. Between the two realms of fire and ice grows the World Tree, Yggdrasill, with the rest of creation, the worlds of Gods, men, elves and giants in its branches. One of the roots of Yggdrasill draws sustenance from the spring at Hvergelmir, located in Niflheim. Under this root, one of three that support and nourish the World Tree, lies the Dragon Nidhogg (Malice Striker) who, along with the Dragons Goin and Moin, gnaw on the main root while the Dragons Graback, Grafvolluth, Svafnir and Ofnir chew away at the twigs that grow on the tree. Even though the three Norns repair the damage every evening, Nidhogg will eventually gnaw through the root and Yggdrasill will topple, ushering in the end to all the worlds and the final battle: Ragnarok.
High in the branches of Yggdrasill perches a giant eagle in whom is housed the knowledge of all the worlds. The eagle abhors Nidhogg and his destruction of the World Tree. Using the squirrel, Ratatosk, as a go-between he and the dragon trade insults up and down the height of the tree, much to the delight of the quarrel-loving Nidhogg and the gossip, Ratatosk.
Niflheim is also the abode of Hel, daughter of Loki, and mistress of the unvaliant dead. Heroes and those who die in battle spend the afterlife in Valhalla feasting, drinking and telling tales of valor; those who live forgotten lives, who have no warrior traits and who died of disease, suicide or accident are sent to the Realm of Hel where they work, cold and miserable. The wickedest of these miserable shades are sent to Nidhogg, where their souls are sucked from them for his nourishment.
After the final battle Nidhogg will fly over the battlefield eating the souls of Fire Demon, Rime Giant and God indiscriminately until he, too, is killed by Surtur the Fire Demon.

Sunday, 18 March 2012

The Story of Darkness

The Story of Darkness
Many cultures have a creation myths, it so happens that Chinese culture has incorporated the dragons in their creation myths.
How wonderful is that?

A Brief History:

The Book “Epic of Darkness”, compiled in primeval China, is a collection of folklore and legend relayed in epic poetry. Preserved by the inhabitants of the Shennongjia mountain area in Hubei Province, it includes accounts from the birth of Pangu till the historical era.
On August 1982 an old local farmer submitted a rare songbook to Hu Chongjun. The booklet (leaflet), written in brush and ink with about 3,000 lines of seven Chinese characters each, was split into four sections. These sections were: a) The beginnings of the Universe; b) The Birth of Pangu; c) The Great Flood; d) The birth of mankind up until the beginnings of the Three Sovereigns and The Five Emperors. Believing “The Epic of Darkness” to be finest written representation of the oral Han creation myth, Hu went on to study and compile more manuscripts as well as the oral accounts from the elderly living in Shennongjia. It took him 9 years to eventually finish the documentation. Hu had to sort through more than 30, 000 lines of collected manuscript to compile a 5,500 line summary.

Here’s a brief retelling (with some liberties taken) of the Han Chinese creation myth:

In the beginning of time, all that was manifest was a cloud of gas, chaos and darkness. A Deity called Jiang Ku, after expending vast effort, created the first drop of water. Another God, Lang Da Zi, swallowed that drop of water and expired. Immediately his body was split into the five elements: Metal, Wood, Water, Fire and Earth. From these elements Pan Gu came into being.

The Legend of Pan Gu:

In the primeval Universe there was nothing but a vast formless chaos which, after 18,000 years, merged to form a giant cosmic egg. Inside the egg, the perfectly opposed principles of Yin and Yang eventually balanced and Pan Gu formed as a primitive, horned, hairy giant, clad in furs. As soon as he emerged from the egg Pan Gu set about the task of creating the world. With a swing of his giant axe, he separated the Yin from the Yang and created the Earth (murky Yin) and the Sky (clear Yang). In order to maintain this separation, Pan Gu stood between them and pushed up the Sky. This task took another 18,000 years; as each day the sky grew ten feet (three meters) higher, the Earth ten feet wider and Pan Gu ten feet taller. Pan Gu was aided in this task by the four most prominent beasts: the Turtle, the Qilin, the Phoenix, and of course, the Dragon. After the 18,000 years it took to separate earth and sky Pan Gu passed away. His breath then became the wind; his voice became thunder, his left eye transformed into Sun, his right eye transformed into the Moon and his facial hair turned into brilliant stars and the Milky Way.
His body, his four limbs turned into the mountains and other of the extremities that marked the four corners of the world. (This account bears a strange similarity to Norse myth of the Giant Ymir, and also of the Babylonian tale of Tiamat.) His fur turned into bushes and forests; his blood formed the rivers; his muscles turned into fertile lands; his teeth and nails became metals; his bones became rocks and valuable minerals while his bone marrow transformed into sacred diamonds. Mankind was yet to be created at this point. His sweat fell as rain and the fleas on his fur carried by the wind became the fish and animals throughout the land.
From the five elements and animals were born demons and gods who fought each other until a great flood overcame the land.From this great flood, emerged two mighty dragons, one black and one yellow, which fought a mighty battle. A goddess, the Sacred Mother Wu Tien, helped the yellow dragon defeat the black dragon. In gratitude, the yellow dragon laid three eggs which the Sacred Mother swallowed and gave birth to three gods: Heaven, Earth and Hell.

Later still, five dragons emerged from the flood and they discovered a gourd across the Eastern Sea. Wu Tien opened the Gourd and found two humans within. Fuxi and Nuwa, who were ordered by Wu Tien to copulate and thus the human race came into being after the flood waters receded.



In a different version it states, “A brother and sister became the only survivors of the prehistoric Deluge by crouching in a gourd that floated on water. The two got married afterwards, and a mass of flesh in shape of a whetstone was born. They chopped it and the pieces turned into large crowds of people, who began to reproduce again. The couple were named “Pan” and “Gou” in the Zhuang ethnic language which stands for whetstone and gourd respectively.”In another version Nuwa, the Goddess, supposedly had used the mud of the water bed to form the shape of humans. These humans were very smart since they were individually crafted. Nuwa then became bored of individually making every human so she started putting a rope in the water bed and letting the drops of mud that fell from it become new humans. These small drops became new humans, not as smart at the first.
Another interesting note: When the earth had thus been shaped from the body of Pan Gu, we are told that the three great rivers formed from his blood successively governed the world: as first the celestial, then the terrestrial, and finally the human sovereign. They were followed by Yung-Ch’eng and Sui-Jen (fire-man) who brought the fire down from heaven and taught man its various uses. The Prometheus myth, which by the way is not indigenous to Greece but also known in Mesopotamia and India, is another expression of this theme. There is a slight possibility therefore that the figure Sui-Jen has been derived from the same archetype as the Greek Prometheus.

Thursday, 8 March 2012

The Gentle Qilin

The Gentle Qilin

The Qilin is a mystical hoofed chimerical creature, often depicted with what looks like fire all over its body. It has the head of Dragon and the body of horse. It represents protection, prosperity, success, longevity and illustrious offspring. It is a good omen that brings ruì (roughly translated as "serenity" or "prosperity"). The Qilin (sometimes misleadingly called the "Chinese unicorn" due to Western influence) is believed to manifest upon the occasion of an imminent person’s arrival, or when a wise sage or an illustrious ruler has departed.
During the Zhou dynasty the Qilin ranked higher than the Dragon or Phoenix; Qilin first, the Phoenix ranked second and the Dragon third. In the Post-Qin Chinese hierarchy of mythical animals, in fables where the Qilin was depicted as the sacred pet of the deities, the Qilin ranked the third after the Dragon and Phoenix. In Japan (Qilin) Kirin are portrayed as a dragon shaped like a deer with an ox’s tail, and they preserved their primary importance, with the Phoenix placed second and the Dragon third.

The earliest references to the Qilin were in the 5th century BC, in the book of Zuo Zhuan. In its historical account we are told that after Zheng He’s voyage to the East Africa around the area of modern day Kenya he had brought back two giraffes to the Emperor in Nanjing. The giraffes were thereafter referred to as Qilins.
The Qilin and the giraffe were both vegetarian and shared a quiet nature on top of their reputed ability to "walk on grass without disturbing it”. Furthermore, the Qilin were described as having antlers like a deer and scales like a dragon or fish whereas the giraffe had horn-like "ossicones" on its head and a tessellated coat pattern that looked like scales. Even today the giraffe is still called girin by Koreans and kirin by the Japanese.

Back then the Emperor had proclaimed the giraffe as a magical creature, whose capture signified the greatness of his power. By the time of the Ming Dynasty (1368–1644) the original Qilins were long gone. In subsequent legends their appearance took on a more stylized representation of the giraffe, becoming mixed with some attributes of the tiger, dragon and other animals. The Ming artisans represented the Qilin as an oxen-hoofed animal with a dragon-like head surmounted by a pair of horns with flame-like head ornaments and a scaled body. Sometimes the creature is depicted with a single horn on its forehead, a multicolored back, and hooves of a horse, body of a deer and the tail of an ox.
During the Manchu Qing dynasty (1644–1911) the Qilin was depicted as having the head of a dragon, the antlers of a deer, the skin and scales of a fish, the hooves of an ox and tail of a lion.

The Qilin’s attributes are:

Though fearsome, the Qilin only punish the wicked. Its manifestation bespeaks of a wise and benevolent leader in a country or even a household. Being such a peaceful creature when it walks on grass or vegetation it takes care not to trample a single blade or step on any living thing. A Qilin is said to also be able to walk on water. If a pure person is threatened by an obvious culprit the Qilin transforms into a fierce creature, spouting flames from its mouth and displays other fearsome aspects.
In legend Qilins are linked to children and childbirth. Couples who desperately want children appeal to the Qilin and the Qilin grants them their wish. The Qilin is said to take special care of those children abandoned on hillsides by their birth parents, such is its compassionate heart.

The birth of the great sage Confucius was also presaged by the appearance of a Qilin who appeared in the courtyard of his parent’s home on the night Confucius was born, bearing a scroll in its mouth. This scroll announced the Will of Heaven: that a baby will be born who will be “a man of extraordinary good moral character and talent, an exemplar of human excellences. Although he is not on the throne, he has the virtue of a king.” When Confucius was 71 years old he was informed that an elk had been wounded and left to die just outside the city. When he went to see the stricken animal he found it was a Qilin and set down his sorrow over the killing of such a magnificent creature in his work “Spring Autumn” and ceased writing. Two years after the Qilin’s death, saddened by the death of his son and the auspicious animal Confucius died in 479 B.C. and since then the Qilin has been closely associated with his teachings.

Qilin Dance; Eye-dotting Ceremony


In this video the Buddhist monk is dotting the eye in a ceremony for the Qilin dance. When a drought ravaged China in times past the Earth Diety and Laughing Face Buddha tried to find a solution to the disaster. Buddha knew that the Qilin had the power to stop disasters and, with the help of the Monkey, they came upon its cave. When the Qilin arrived on Earth it began spitting fire and distributing serenity and prosperity upon the people. The drought ended, people and animals recovered and bountiful harvests resumed once more. The dance created from this story is performed during festivities and celebrations and is called “Tristar meet a friend, qilin leaves his cave.” This dance is said to be particularly hard to perform due to its rapid, jerky movements that are full of energy and tax the dancer’s muscles.